Fall 2002
Volume 5
Number 1
Feature

Some Notes on the Experimental Marxist Exhibition

Wendy Salmond
LACMA Christopher KNight Clement Greenberg installation abstraction formalism cultural context viewer Soviet Wendy Salmond Marxism Marx experimental class El Lissitsky Proun Room Abstract Cabinet photomontage Soviet museum socialism cultural pluralism museum of daily life bytovoi muzei Colonial Williamsburg camera angles religious art the Soviet Union Sigmund Freud Museum Sir John Sloane’s Museum Fedorov-Davydov The Soviet Arm Museum literacy temple of art bourgeoisie capitalism class struggle dead white men context kompleks ensemble French Art from the Era of the Decline of Feudalism and the Bourgeois Revolution political education Hans Haacke medium Ronald Reagan nameless crowd photography common man Art of the Court Aristocracy in the Mid-Eighteenth Century Fred Wilson Mining the Museum ideologically engaged social reformer Old Regime traditional museum Avant Garde and Kitsch Stalin Art of the Industrial Bourgeoisie Suprematism quasi-Constructivism self-negation Made in California aesthetic gaze snobbish art historian high art easel painting idealism industrial bourgeoisie Cubism class-based styles aristocratic art Lenin